{"id":456,"date":"2017-10-21T21:41:28","date_gmt":"2017-10-21T19:41:28","guid":{"rendered":"http:\/\/musicadomia.com\/?page_id=456"},"modified":"2024-05-14T17:04:23","modified_gmt":"2024-05-14T15:04:23","slug":"nos-marques-presentes-dans-les-salons-high-end","status":"publish","type":"page","link":"https:\/\/musicadomia.com\/index.php\/nos-marques-presentes-dans-les-salons-high-end\/","title":{"rendered":"Salons Ypsilon"},"content":{"rendered":"<p><strong><span style=\"color: #3366ff;\">Munich High End 2024<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End 2023<br \/>\n<\/span><\/strong>The Sound Of\u00a0<b><a href=\"https:\/\/ypsilonelectronics.com\/\" target=\"_blank\" rel=\"noopener\">Ypsilon<\/a><\/b>\u00a0at the Munich High-End Audio show. \u00a0Main room: Atrium 4.1 * Room E110 \u00a0Ypsilon SET-100 Ultimate 120w Single-Ended Class A hybrid amplifier\u2503Ypsilon PST-100 MKII SE preamplifier\u2503Ypsilon VPS-100 SE phonostage with MC-10L SE step up transformer\u2503Ypsilon CDT-100 CD player\/transport \u2503Ypsilon DAC 1000 SE D to A converter\u2503Kaiser Acoustics KaWeRo Grande speakers\u2503TechDAS Air Force One Premium turntable &amp; Graham Engineering Elite tonearm.<\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End 2022<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End 2021<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End 2019<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End 2018<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><!-- x-tinymce\/html --><strong><span style=\"color: #3366ff;\">Rocky Mountain Audio Fest\u00a0 Denver Colorado 8 octobre 2017<\/span><br \/>\n<\/strong>Larkspur Suite, Denver, Colorado, USA<br \/>\nUn syst\u00e8me complet\u00a0Ypsilon ( Vinyle avec\u00a0le pr\u00e9 phono VPS-100 phonostage avec un r\u00e9hausseur MC-26L, le pr\u00e9amplificateur PST-100 \u00a0et des blocs Mono Hyperion )\u00a0alimentant des\u00a0Wilson Benesch Cardinal Speakers avec des g\u00e9n\u00e9rateurs d&rsquo;infrasons Torus. De quoi occuper beaucoup d&rsquo;espace !!<strong><br \/>\n<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-235\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/RMAF-8-octobre-2017-300x272.jpg\" alt=\"\" width=\"300\" height=\"272\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-236\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/RMAF-8-octobre-2017-le-syst\u00e8me-300x168.jpg\" alt=\"\" width=\"300\" height=\"168\" \/><\/p>\n<p><strong><span style=\"color: #3366ff;\">AV Show en CHINE \u00e0 Guangzhou<\/span><br \/>\n<\/strong>Ypsilon en Chine au\u00a0Salon av de Guangzhou, le 15 septembre\u00a02017<br \/>\nUn syst\u00e8me complet\u00a0Ypsilon (Lecteur CD 100, le DAC 100, le pr\u00e9amplificateur PST-100 et des blocs Mono Hyperion ) pour \u00ab\u00a0driver\u00a0\u00bb les enceintes Isophon GAUDER Akustik &#8211; s\u00e9rie Berlina.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-234\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/China-Guangzhou-AV-Fair-Septembre-2017-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End Mai 2017<\/span><br \/>\n<\/strong>Votre serviteur \u00e9tait pr\u00e9sent pour contribuer \u00e0 animer sur trois jours les repr\u00e9sentations,\u00a0r\u00e9pondre aux questions et passer quelques disques et CD.<br \/>\nYpsilon exposait pour la d\u00e9mat le\u00a0DAC vs et le lecteur de CD CDT 100 et pour la partie vinyle, la platine Helix Doehman + bras SAT + cartouche Lyra Etna + r\u00e9hausseur Ypsilon MCL) pour alimenter les toutes nouvelles enceintes Wilson Benesh Resolution\u2026 Courtroom: E110 (Atrium 4.1), Munich, <strong><br \/>\n<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-229\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/Munich-2017-Ypsilon-1-300x149.jpg\" alt=\"\" width=\"300\" height=\"149\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-240\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/Munich-2017-Ypsilon-2-B-300x188.jpg\" alt=\"\" width=\"300\" height=\"188\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #3366ff;\">CES 2017<\/span><br \/>\n<\/strong>Amplificateur int\u00e9gr\u00e9 PHAETHON\u00a0et pr\u00e9 Phono<br \/>\nVPS-100 Phono Stage\u00a0avec r\u00e9hausseur\u00a0 MC-L<br \/>\nau\u00a0CES 2017\u00a0de Las Vegas, USA<span class=\"text_exposed_hide\">&#8230;<\/span><span class=\"text_exposed_show\">https:\/\/youtu.be\/g8RUnAhqj1Q<br \/>\n5-8 janvier, Venetian Suites 30-112<strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-228\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/CES-2017-Ypsilon-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" \/><br \/>\n<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #3366ff;\">Munich High End Mai 2016<\/span><br \/>\n<\/strong><\/p>\n<p>Les deux meilleures \u00e9coutes de Ahmet Kip de Mono &amp; Stereo furent pour :<br \/>\n&#8211; YPSILON et<br \/>\n&#8211; LEEDH E2 GLASS avec la source SWISSONOR<\/p>\n<p><a href=\"http:\/\/www.monoandstereo.com\/2016\/05\/impressions-on-munich-high-end-2016.html\" target=\"_blank\" rel=\"noopener noreferrer\">Mono &amp; Stereo Hyp\u00e9rion<\/a>\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-209\" src=\"http:\/\/overseasaudio.com\/wp-content\/uploads\/2017\/10\/Mono-Stereo-300x79.jpg\" alt=\"\" width=\"180\" height=\"47\" \/><\/p>\n<p>\u00ab\u00a0There is one unique reaction that you can rarely witness: people listening in full silence as if they are listening to a prayer in a temple, very much like a mystical experience. If you meet up such a demonstration, you will also notice that most listeners will not leave the room unless the track that is being played is completely finished. That is, fully respecting the music and nothing else, neither the sound nor the components. And this is exactly what I witnessed in Ypsilon Electronics\u2019 room in partnership with Finite Element. To assure my testimony I visited the room for several times and that temple like atmosphere never changed.<\/p>\n<div>\n<div><a href=\"http:\/\/4.bp.blogspot.com\/-4OY492FGgZI\/VzlR_2ippPI\/AAAAAAABaZY\/SORoVQksvxsl_5SIKN00EO_QdlhCh7VQgCK4B\/s1600\/Ypsilon%2Broom%2Bduring%2Bdemo.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/4.bp.blogspot.com\/-4OY492FGgZI\/VzlR_2ippPI\/AAAAAAABaZY\/SORoVQksvxsl_5SIKN00EO_QdlhCh7VQgCK4B\/s640\/Ypsilon%2Broom%2Bduring%2Bdemo.jpg\" width=\"640\" height=\"374\" border=\"0\" \/><\/a><\/div>\n<\/div>\n<div>Regarding the reactions of the listeners in order from respecting the music to respecting the reproduced sound, Ypsilon Electronic\u2019s room was followed by Nagra Audio\u2019s room in partnership with Kronos Audio only by a small margin and Kaiser Audio\u2019s suite in company with Kondo Electronics. I can also count Absolare (demonstrating with Kronos Pro and Rockport Altair), Soulution Audio (demonstrating with Magico M-Project) and Cessaro Horn Acoustics rooms among the most respected due to my observation.<\/div>\n<div><\/div>\n<div>\n<p><a href=\"http:\/\/4.bp.blogspot.com\/-2R_-uJRR5JY\/VzlUn1IxLmI\/AAAAAAABaao\/ec_a5mZ_aEoE7t83V7hi_vEWisWCBOa_wCK4B\/s1600\/Ypsilon%2BHyperion%2B%25282%2529.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/4.bp.blogspot.com\/-2R_-uJRR5JY\/VzlUn1IxLmI\/AAAAAAABaao\/ec_a5mZ_aEoE7t83V7hi_vEWisWCBOa_wCK4B\/s200\/Ypsilon%2BHyperion%2B%25282%2529.jpg\" width=\"167\" height=\"200\" border=\"0\" \/><\/a>Did the listeners\u2019 reactions support my likes and dislikes? Up to a certain point yes. I too found\u00a0Ypsilon and Nagra rooms as musically most impressive and satisfying (still keeping my concern about the high frequency band in reserve). As both set\u2212ups were driving Wilson Alexias, this also gave me the opportunity to make a fair comparison between the two. The only fact that bothers me while making such an evaluation is my lack of knowledge if both were properly burnt in. In fact I knew Ypsilon Hyperion monoblocks \u2013it was the world premiere\u2013 were fresh from the factory, not burnt in more than 50 hours and Wilson Alexias were out of their boxes for the first time in Munich as Demetris Backlavas explained during a chat with Matej and me. I have no idea if Nagra electronics and their Alexias were conditioned properly since I didn\u2019t have a chance to ask.<\/p>\n<div class=\"separator\"><\/div>\n<div><a href=\"http:\/\/2.bp.blogspot.com\/-rzJE099jt14\/VzlUoAP65TI\/AAAAAAABaa4\/uez2pscDSTkSHik1Zk98VRXOVcwZizI_wCK4B\/s1600\/Ypsilon%2Broom%2Bwith%2BAlexias.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/2.bp.blogspot.com\/-rzJE099jt14\/VzlUoAP65TI\/AAAAAAABaa4\/uez2pscDSTkSHik1Zk98VRXOVcwZizI_wCK4B\/s640\/Ypsilon%2Broom%2Bwith%2BAlexias.jpg\" width=\"640\" height=\"434\" border=\"0\" \/><\/a><a href=\"http:\/\/1.bp.blogspot.com\/-RU8xPfJAxUw\/VzlUoA31AbI\/AAAAAAABaa0\/oIkY_tL3eBsRVYEn2J_GEqs7FFQxAnA9QCK4B\/s1600\/Ypsilon%2BHyperion.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/1.bp.blogspot.com\/-RU8xPfJAxUw\/VzlUoA31AbI\/AAAAAAABaa0\/oIkY_tL3eBsRVYEn2J_GEqs7FFQxAnA9QCK4B\/s640\/Ypsilon%2BHyperion.jpg\" width=\"640\" height=\"476\" border=\"0\" \/><\/a><\/div>\n<\/div>\n<div><\/div>\n<div>\n<p>Despite being raw, in the Ypsilon room all the components in the system were playing in such harmony and in such a musical way that one could easily ignore any weaknesses related to their lack of condition. This was also by far the best performance of Alexias in Munich and I\u2019m saying this in confidence since I had the chance to listen to 4 more performing in other systems within a few hours time. In fact Matej shared my opinion, even going further to say that these were the best sounding Alexias he had heard anywhere else. To my ears Hyperions \u2013even in their not burnt in condition\u2013 were simply fascinating. They just got out of the way and let the music flow. The way they create soundstage and space was exemplary.<\/p>\n<div><a href=\"http:\/\/4.bp.blogspot.com\/-nNsSZT0dhBA\/VzlSpdWLdUI\/AAAAAAABaaA\/cVO-6Dxy4bkH4zM02MA4meT5vcQEmvZygCK4B\/s1600\/Nagra%2Bset-up.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/4.bp.blogspot.com\/-nNsSZT0dhBA\/VzlSpdWLdUI\/AAAAAAABaaA\/cVO-6Dxy4bkH4zM02MA4meT5vcQEmvZygCK4B\/s320\/Nagra%2Bset-up.jpg\" width=\"320\" height=\"250\" border=\"0\" \/><\/a><a href=\"http:\/\/2.bp.blogspot.com\/-vOnvgz9dqN0\/VzlSpTNlbHI\/AAAAAAABaaI\/suSAJ3HNEMcPnOEnwNR_bIxPGAirrcmawCK4B\/s1600\/Nagra%2Bset-up%2Bwith%2BAlexia.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/2.bp.blogspot.com\/-vOnvgz9dqN0\/VzlSpTNlbHI\/AAAAAAABaaI\/suSAJ3HNEMcPnOEnwNR_bIxPGAirrcmawCK4B\/s320\/Nagra%2Bset-up%2Bwith%2BAlexia.jpg\" width=\"320\" height=\"236\" border=\"0\" \/><\/a><a href=\"http:\/\/2.bp.blogspot.com\/-NeDL-oBNRFU\/VzlSpT8RofI\/AAAAAAABaZ4\/9uauu9cWxRo6EWnl8Q4X6OcEZ5jLF9v6ACK4B\/s1600\/Nagra%2Belectronics.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/2.bp.blogspot.com\/-NeDL-oBNRFU\/VzlSpT8RofI\/AAAAAAABaZ4\/9uauu9cWxRo6EWnl8Q4X6OcEZ5jLF9v6ACK4B\/s320\/Nagra%2Belectronics.jpg\" width=\"320\" height=\"181\" border=\"0\" \/><\/a><a href=\"http:\/\/4.bp.blogspot.com\/-_AU8Qqb2gX8\/VzlSpTl359I\/AAAAAAABaZ8\/uZ6XiFPQPqgh6CTlmKURgWQOqjuf0A0xACK4B\/s1600\/Kronos%2BSparta%2Bin%2BNagra%2Broom.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/4.bp.blogspot.com\/-_AU8Qqb2gX8\/VzlSpTl359I\/AAAAAAABaZ8\/uZ6XiFPQPqgh6CTlmKURgWQOqjuf0A0xACK4B\/s320\/Kronos%2BSparta%2Bin%2BNagra%2Broom.jpg\" width=\"320\" height=\"188\" border=\"0\" \/><\/a><\/div>\n<div><\/div>\n<\/div>\n<div><\/div>\n<div>Nagra set-up sounded very impressive and musically very satisfying though it didn\u2019t quite match the level of inner detail and finesse of the Ypsilon set-up, only by a small margin though. Does that matter? Well, yes and no. One would not be able to make any sound criticism on the performance of the Nagra system as it played authoritative and complete without any flows. But once you witness the hidden potential of the Alexias revealed when driven by Ypsilon Hyperion monoblocks, then you realize what was missing and this is what high end audio is all about. If I\u2019m allowed to make a metaphorical comparison, I will say while Nagra unveiled the music, Ypsilon stripped it to the bone.\u00a0\u00bb<\/div>\n<div><\/div>\n<p><iframe loading=\"lazy\" title=\"Dimitris Baklavas, Ypsilon Electronics, new Hyperion amps, Wilson Alexia, Dohmann, Finite Elemente,\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/g8RUnAhqj1Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div id=\"id_59eb7322ba7fe2849388574\" class=\"text_exposed_root text_exposed\">\n<p><span style=\"color: #3366ff;\"><strong>Newport 2015<br \/>\n<a href=\"http:\/\/www.theaudiobeat.com\/\u2026\/newport2015_aaudio_imports.htm\" target=\"_blank\" rel=\"noopener noreferrer\">The Audio Beat \u00a0YPSILON BEST OF NEWPORT SHOW 2015 !\u00a0 <\/a><\/strong><\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #3366ff;\"><strong>Munich<\/strong> <strong>2015<\/strong><br \/>\n<span style=\"color: #3366ff;\"><span style=\"color: #000000;\">Un ensemble Ypsilon avec Pr\u00e9phono VPS, PST 100, blocs mono Aelius\u00a0(Mk1)<br \/>\n<\/span><\/span><strong><br \/>\n<a href=\"https:\/\/parttimeaudiophile.com\/2015\/06\/11\/high-end-2015-ypsilon-bergmann-perfect8\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part Time Audiophile<\/a>\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-535\" src=\"http:\/\/musicadomia.com\/wp-content\/uploads\/2017\/10\/Part-time-Audiophile-300x61.jpg\" alt=\"\" width=\"185\" height=\"37\" srcset=\"https:\/\/musicadomia.com\/wp-content\/uploads\/2017\/10\/Part-time-Audiophile-300x61.jpg 300w, https:\/\/musicadomia.com\/wp-content\/uploads\/2017\/10\/Part-time-Audiophile.jpg 676w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/strong><\/span><\/p>\n<p><a href=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/06\/ypsilon-04690.jpg\" rel=\"prettyPhoto\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-18570\" src=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/06\/ypsilon-04690.jpg?resize=639%2C426\" alt=\"Ypsilon-04690\" width=\"639\" height=\"426\" data-attachment-id=\"18570\" data-permalink=\"https:\/\/parttimeaudiophile.com\/2015\/06\/11\/high-end-2015-ypsilon-bergmann-perfect8\/ypsilon-04690\/\" data-orig-file=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/06\/ypsilon-04690.jpg?fit=1500%2C1000&amp;ssl=1\" data-orig-size=\"1500,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DSC-RX100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1431664021&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;10.4&quot;,&quot;iso&quot;:&quot;125&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ypsilon-04690\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/06\/ypsilon-04690.jpg?fit=470%2C313&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/06\/ypsilon-04690.jpg?fit=940%2C627&amp;ssl=1\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.highendsociety.de\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-17705 size-medium\" src=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/05\/he15_logo_gb_01.png?resize=300%2C129\" alt=\"HE15_Logo_GB_01\" width=\"300\" height=\"129\" data-attachment-id=\"17705\" data-permalink=\"https:\/\/parttimeaudiophile.com\/2015\/05\/12\/high-end-2015-opens-friday\/he15_logo_gb_01\/\" data-orig-file=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/05\/he15_logo_gb_01.png?fit=1201%2C515&amp;ssl=1\" data-orig-size=\"1201,515\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"HE15_Logo_GB_01\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/05\/he15_logo_gb_01.png?fit=470%2C202&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/parttimeaudiophile.com\/wp-content\/uploads\/2015\/05\/he15_logo_gb_01.png?fit=940%2C403&amp;ssl=1\" \/><\/a>\u00ab\u00a0Ypsilon Electronics gave another excellent performance this year with their complete line up of tube hybrid amplifiers and sources. An upgraded version of the Aelius mono power amps ($36.000), with silver interstage transformers, and driven by the 100 PST Mark II pre-amplifier ($37.000), performed very well on the classic \u201cMr. Bones\u201d by Steve Strauss on LP.<\/p>\n<p>Ypsilon brought their CDT 100 CD transport and DAC 100 converter, but I focused on the analog front end, which is rarely absent in the Munich top floor rooms. The turntable came from Bergmann, their <a href=\"http:\/\/www.bergmannaudio.com\/products\/turntables\/magne_system\">Magne System<\/a>, which\u00a0is among the few modern designs that offer exquisite minimalistic aesthetics, serious engineering and great sound, all at the same time. The Transfiguration Orpheus MC cartridge was singing through Ypsilon\u2019s VPS 100 phono stage and matching step up transformer while speakers were sourced from Swedish company Perfect 8.<\/p>\n<p>The <a href=\"http:\/\/www.perfect8.com\/point.htm\">Point MkIII<\/a> (website still has the MkII model) priced at $100.000 is a rather peculiar design made from glass panels and not the typical MDF wood, and there is no sign of internal treatment as well. An open dipole with 2\u00d77\u201d magnesium midrange drivers and air motion tweeter sits on top of a pair of 10\u201d woofer housed in a glass box which also contains a 400Watts class D amp for each bass driver.<\/p>\n<p>Finite Elemente provided the beautiful <a href=\"http:\/\/www.finite-elemente.de\/englisch-1\/hifi-racks\/pagode-aps\/\">Pagode APS<\/a> racks while cabling was a mix of Kubala Sosna and zip cords! At first sight the speakers would have you expecting a cold and maybe soul-less sound, but as I already mentioned this was not the case. Instead,\u00a0guitar strings were reverberating in the room in almost \u201clive\u201d fashion, with\u00a0ambience and texture during the playback.\u00a0\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Munich High End 2024 Munich High End 2023 The Sound Of\u00a0Ypsilon\u00a0at the Munich High-End Audio show. \u00a0Main room: Atrium 4.1 * Room E110 \u00a0Ypsilon SET-100 Ultimate 120w Single-Ended Class A hybrid amplifier\u2503Ypsilon PST-100 MKII SE preamplifier\u2503Ypsilon VPS-100 SE phonostage with MC-10L SE step up transformer\u2503Ypsilon CDT-100 CD player\/transport \u2503Ypsilon DAC 1000 SE D to A &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/musicadomia.com\/index.php\/nos-marques-presentes-dans-les-salons-high-end\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Salons Ypsilon&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-456","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/pages\/456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/comments?post=456"}],"version-history":[{"count":0,"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/pages\/456\/revisions"}],"wp:attachment":[{"href":"https:\/\/musicadomia.com\/index.php\/wp-json\/wp\/v2\/media?parent=456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}